Gumballs by Erin Nations. Top Shelf, 2018. 9781603094313. 160pp.
Reprints Gumballs #1 – #4 plus some additional material.
Nations’ mostly autobiographical comics vary in length from a single, page-sized panel to multipage vignettes. His square-jawed characters (and he himself) are at their best when expressing their awkwardness. If you’ve heard anything about this book, it’s probably that Nations is transgender, and it’s worth noting (because it’s at the heart of his story), but so is the fact that he’s a triplet. This isn’t a one-note After School Special of a book — it has so much more to relate to, like “The Indecisive Cat,” “Things That Scared the Shit Out Of Me When I Was A Kid” (including both Max Headroom and Carol Anne in the original Poltergeist movie), and the awkward personal ads scattered throughout (Candace, I’m ready to hang out and play board games). The comics are great, particularly the colors and pacing, and they did make me reflect a little more on my own social awkwardness and, of course, all of the things I don’t have to worry about as a cisgender, heterosexual white dude.
I hope some of those extra pages include more personal ads!
The Collected Doug Wright: Volume One: Canada’s Master Cartoonist by Doug Wright. Introduction by Lynn Johnston (For Better or For Worse). Drawn & Quarterly, 2009. 9781897299524. Beautifully designed by Seth. 240 wonderfully oversized 240pp.
Gene: Do you know who Doug Wright was?
G: He was kind of…
S: Is he that Canadian guy?
G: He’s that Canadian who the Doug Wright Awards are named after.
S: Oh yeah.
G: I was going to say he’s kind of like the Charles Schulz of Canada? His comics don’t look much like Peanuts, but they were beloved. They ran for a long time in Canadian newspapers. His most famous was Little Nipper or Nipper, which became Doug Wright’s family.
What I really like is that this is an oversized book that has blown up some of his drawings, especially from the beginning of his career, and it shows you how amazing his comics were. They were mostly, I think, black and white and red, so black and red ink plus white space on the page. They’re all about a little boy, Nipper, and his family.
There’s a huge biographical essay in the book about Wright’s life, which I didn’t read much of. But there are some pieces of his art that are very cool. It’s supposed to cover 1949 – 1962, so it’s before this smaller format Nipper collection which I also have, which covers 1963 – 1964.
Look, his early comics were so old school.
S: Lots of detail!
Continue reading “Doug, right?”
It’s A Good Life, If You Don’t Weaken: A Picture Novella by Seth. Drawn & Quarterly, 1996. 1896597068. (Yeah, that’s right, it’s an old book with an actual 10-digit ISBN.) Originally serialized in Palooka-ville #4 – #9.
In this “autobiographical” graphic novella, Seth’s fascination with old New Yorker cartoonists leads him to start tracking down work by a fictional cartoonist (Kalo) who he really admires, who cartoonist Chester Brown (a friend of Seth’s who appears throughout the book) notes draws a lot like Seth. Through the course of the book Seth finds more cartoons and finally tracks down some info about Kalo, finding out he was also from just outside Toronto, and more. (I don’t want to spoil it.) Throughout there’s a great sense of the way Seth feels about the world, how people annoy him, what he loves about his family (who also annoy him), and just generally how he moves through his days. And it’s all got Seth’s great sense of style and design, which he’s brought to numerous books, notably The Complete Peanuts collections from Fantagraphics and The Collected Doug Wright from D&Q.
Seth’s drawings throughout are amazing, and he gives a great sense of Toronto decades before I had a chance to visit. (In fact I’m sure Michael Cho must have drawn some inspiration from this for his Torontoscapes in the very pink Shoplifter.) Next time I’m in Tornoto I’m going to see if the weather tower is still there — and I’m not looking it up online ahead of time, so don’t tell me.
Just a note: if your eyes are aging like mine, be sure to have your reading glasses on hand. Some of the white on black lettering was hard on my eyes, but easy to read at 2.5x magnification.
Shrill: Notes from a Loud Woman by Lindy West. Hachette Books, 2016. 9780316348409.
Sarah: You sound reluctant to talk about this.
Gene: I’m so nervous! I think I told you when I was reading it that I didn’t realize how much of Lindy West’s work I had read and admired over the years. And she’s been appearing on the local KUOW radio show The Record, which I listen to regularly.
S: I’ve read her stuff in The Stranger, her stuff gets published in The New York Times…
G: I used to read her movie reviews regularly, too. I remember when she exploded at Dan Savage for his treatment of overweight people in his Savage Love columns.
S: I’m sort of sorry I didn’t read that at the time. I read The Stranger on and off, but knowing Dan Savage’s personality, if he’s your boss, standing up to him — the MOST opinionated person, the most sure of himself — wow. That’s huge.
G: It was amazing. I remember reading about her engagement. About her then-fiance asking her to marry him publicly because she’d said that fat girls never get the big proposal.
S: The big, romantic gesture.
G: Yeah. That’s in the book, too. Plus I remember the story about her taking on and then meeting one of her internet trolls.
S: Yeah, it was on This American Life.
G: It’s all in here. It’s full of incredibly well-written, very funny personal essays, that start with her life as the basis for something broader.
Continue reading “Go West, Young Reader”
Vacationland: True Stories From Painful Beaches by John Hodgman, narrated by the author. Penguin Audio, 2017. 9780525497691.
Hodgman’s previous books, a trilogy of compendiums of fake facts, had elements of his life woven in, from love to family to mortality. Vacationland has more of a narrative arc: he tells stories of the vacation home he grew up visiting and then owning after the death of his mother, then shifts to his new family’s vacations in Maine, where his wife grew up vacationing. He weaves funny anecdotes into the way he comes to terms with his place in the world: making stacks of river stones with a friend while high, how he ended up with his own apartment in high school, the oddness of the Maine dialect humor industry, and the by turns funny and horrifying story of getting an iron hook through his hand and going to the hospital. As he points out himself, a story of having two vacation homes is not likely to be relatable to most readers, but his voice (both literal and literary) made this audiobook tremendously enjoyable.
Japanese Notebooks: A Journey To The Empire Of Signs by Igort. Translated by Jamie Richards. Chronicle Books, 2017. 9781452158709.
Italian comics creator Igort is a bit obsessed with Japan and its culture. The book opens with drawings of Astro Boy and comics and masks and action figures and ingredients before he shows us the Tokyo neighborhood he lived while making comics for a Japanese publisher, Kodansha, in the 1990s. He describes how Japan seemed like a treasure chest filled with amazing things (but especially its old prints) that called to him. The book moves back and forth between Igort’s experiences there (the most harrowing of which is mid-book, when he is being put to the test by his publisher) and the subjects that interest him most: Mishima, manga artists like Jiro Taniguchi, the B-movies of Seijun Suzuki, Menko cards, chrysanthemums, Tanizaki, iki, Sada Abe, and more. His story of spending a day with Hayao Miyazaki made me totally jealous.
A lot of the sense of peace he had being in Japan comes through as he writes about it, and it’s clear that he’s writing about the country and its culture as part of an effort to understand it. The art is soft and beautiful, supplemented by prints and photographs where appropriate. It’s a bit adult in places, so I wouldn’t recommend it for school libraries, but I believe it will find a ready audience with adults interested in traveling to Japan, or the country’s art and literature.
Is This Guy For Real? The Unbelievable Andy Kaufman by Box Brown. First Second, 2017. 9781626723160.
(This conversation started with me talking about a British documentary show on Netflix called Embarrassing Bodies. Gene sends his daughter screenshots from it. You should watch it.)
Gene: I’m a recovering pro wrestling fan.
Sarah: Coming into this, I was like, he’s this comedian…
G: Did you like him?
S: Not my favorite but I respected his funny meta-comedy, practical joke sense of humor, but it wasn’t something I tuned in for.
G: I remember watching SNL when I was really little, I used to stay up all night watching TV. (This and letting me read anything I wanted are what I owe my parents for.) I watched the first season when it aired when I was 7. I remember seeing him do the Mighty Mouse thing. It was crazy.
S: I saw an HBO special he did that was all the hits, so I saw all of his famous bits compressed into like an hour.
G: I saw him on Taxi, too. I remember seeing him wrestle women. I remember seeing him apologize to his parents on Letterman.
S: I saw some of those too.
G: Weird, right?
S: Not as weird as Crispin Glover, but weird.
G: Glover never really seems to be having a good time. Andy Kaufman seemed to be having fun.
S: We start in Kaufman’s childhood, and it was funny to see so many of his later bits reflected in his childhood. Obsessed with Elvis, watching Mighty Mouse…and it didn’t feel artificial, it felt like we were finding out this was the kind of kid he was.
Continue reading “He was real”