Supergirl: Being Super by Mariko Tamaki and Joëlle Jones. 9781401268947. DC Comics, 2018. Contains #1 – #4 of the series.
I’ve enjoyed every graphic novel by Mariko Tamaki I’ve read: She-Hulk: Deconstructed and Luisa, This One Summer, and Skim. I didn’t expect this one to pull me in as easily as it did — I’m not much of a Supergirl fan, but between the conversations Kara Danvers (Zor-El) has with her her friends, the moments with her parents, and the way Tamaki folds Kara’s feelings about being a super powered alien into being a super alienated teen, I couldn’t put this book down. Joëlle Jones art helped — her lines and layouts are beautiful — and Kelly Fitzpatrick’s colors made sure I didn’t miss essential details.
It’s great to see a new creative team put forth their version of an existing character’s origin story without some newsworthy, over-the-top detail designed to get mainstream media attention. My favorite character: Kara’s badass friend, Dolly, who has a great T-shirt collection. My favorite moment: the super explosive zit. And I LOVED the scenes of the barn fire, which is not something I ever thought I’d write.
Archival Quality by Ivy Noelle & Steenz. Oni Press, 2018. 9781620104705. 276pp.
After losing her previous job because of a breakdown, Celeste is hired to archive photos at the Logan Museum, a spooky building which houses a collection of medical photos, documents, and more. Things feel weird and spooky right from the beginning. She’s only allowed to work at night. Her boss, Holly, and the Curator, Abayomi, seem both overly concerned and unwilling to share information about the place, despite the fact that someone may have broken in while she was there alone. There’s also a mysterious Board of Directors, and the weird more-than-dreams that Celeste is starts to have.
This is a great readalike for Vera Brosgol’s Anya’s Ghost, about a girl who falls into a hole and makes a ghostly “friend.” Librarians reading it may be disappointed that neither librarian in the story has an MLIS, and that the cataloging of the photos Celeste scans isn’t at all technical, but overall this is a good read about a young woman trying to make her way back into the library work world, and the spooky stuff all ends up having a mental health tie-in.
(A white-haired boy drifts in deep space, alone in spaceship that’s silent except when the rockets make a course correction.)
Amy thinks everyone has a different flavor. She and her parents lived on a mining colony, at least until her dad lost his job. Then they had to make the 30 year journey back to earth. She doesn’t age because of cryosleep, but her best friend Jemmah, who she leaves behind, does. Amy feels super awkward at her new high school where everyone uses augmented reality glasses, and she can’t bring herself to contact a now middle-aged Jemmah. But she does make a few friends and the blue sky overhead is awesome. Plus there’s a quiet, mysterious white-haired boy who has no flavor. How did he get to Earth from the deep space? No clue. (I hope to find out in Volume 2.)
McCranie’s art has a very nostalgic-for-the-future feel, with shapes and colors that recall classic Hannah Barbara cartoons and give the story a nice flow. The next book comes out soon, but I think I’ll check out the next few episodes on the webtoons site before then — they’re posted there as scrolling vertical chapters, and they work equally well as printed books, which is an amazing feat.
Hey, Kiddo: How I Lost My Mother, Found My Father, and Dealt With Family Addiction by Jarrett J. Krosoczka. Scholastic Graphix, 2018. 9780545902489. 310pp.
Krosoczka’s mom was the third of five kids. Her parents weren’t too happy when she got pregnant (she was pretty young), but supported her by buying her a house near them. His early memories are happy, but there’s a dark edge there — men coming over, a recurring nightmare of being surrounded by monsters. After his mother gets arrested (not for the first time), his parents move Jarrett into their house. He lives there as his mother drifts in and out of his life, seeming to get better and then relapsing. She lets him down again and again as he grows up, discovers his love of creating comics, and finally even meets his father, who didn’t want to have anything to do with him when he was born.
The book is full of drinking and smoking (I bet his grandparents’ place smelled like my parents’ houses) and even has a little swearing (though I bet there was a lot more in real life). It was a dark, difficult read for me because it all hit so close to home. It’s stayed with me, and I’ve found myself returning to its pages over and over again since finishing it a few weeks back, and I know there are kids out there who will read it repeatedly even though it’s not as funny as his Lunch Lady, Jedi Academy, and Platypus Police Squad series.
Luisa: Now and Then by Carole Maurel. Translated by Nanette McGuinness. English Language Adaptation by Mariko Tamaki. Humanoids, 2016. 9781594656439.
17-year-old Luisa falls asleep on a bus and wakes up in Paris seventeen years later and, with the help of a young woman (Sasha), she meets and is taken in by her 34-year-old self (they pretend they’re cousins). I was worried the book would have a wacky Freaky Friday vibe, but it’s a fairly quiet story in which the younger Luisa is horrified at how her older self has fallen out of touch with friends and settled for a career that’s not as glamorous as planned. Both Luisas are attracted to the older’s neighbor Sasha, and it’s no surprise there are conversations about a young woman Luisa just kissed in the past and hiding who they are (especially from their mother).
Younger Luisa’s clothes and Walkman took me right back to the 80s. The only time I’ve had a similar flashback to my teen years is seeing the hairstyles and shoulder pads in Papergirls, and when I see costumes in Uncanny X-men issues numbered in the mid 100s.
Lost Stars Volume 1 (Star Wars) by Yusaku Komiyama, based on an original story by Claudia Gray. Yen Press, 2018. 9781975326531. 256pp.
A Japanese manga adaptation of a Star Wars novel originally written in English, translated back into English. Strange thought? Yeah. Worth reading? Totally.
Thane and Ciena are friends who grew up on the same backward planet with the same dream: attend the Imperial Academy. At the academy they were on the verge of becoming more than friends, but were driven apart. Now Thane flies an X-wing for the Rebellion, and Ciena is rising in the Imperial ranks. How’d all this happen? It’s not quite clear by the end of this, the first volume of the story, which takes place in the background of the original Star Wars trilogy (the good one, the original original, not the three movies you’re trying to forget).
When I talk about comics at library staff days and conferences, I meet a lot of folks who never read manga. I often recommend they try the original Star Wars manga that Dark Horse published back in the 90s because it’s easier to relate to the manga art style when the story is already familiar. But since those are long out of print, this is going to become my go-to recommendation for such folks. The focus lines make X-wings soar and help the AT-ATs on Hoth look extra intimidating. The layouts make for some amazing pacing. And everyone has such great hair! It’s kind of a relief. (I mean, have you watched the original trilogy lately? Why did no one in that far far galaxy ever invent hair care products?)